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Keep Off The Grass
John Evelyn
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Keep Off The Grass
John Evelyn
Shashi Tharoor, UN diplomat, novelist, politician, and historian, speaks...
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Growth, but at what cost?
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Oxford's oldest student newspaper
Independent since 1920
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Cartoon
Keep Off The Grass
John Evelyn
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stage
“It kept me hooked right until the final denouement”
Harry Hatwell applauds Playlliol's rendition of 'A View from the Bridge'
A day in the life of… a stage manager
Lucy Coupe gives her perspective on why stage managing is the perfect extra-curricular activity
“A marathon-style theatrical whirlwind”
Harry Hatwell is blown away by 'Angels in America' at the West End
“A fierce accomplishment”
Will Austin is absorbed in 'Reigen', a revival of Arthur Schnitzler’s controversial sexual drama
“Emotive, vibrant, and politically charged”: Hamilton
Izzy Smith praises Lin-Manuel Miranda’s powerful soundtrack
A day in the life of… A script writer
Stage editor Katie Sayer considers the Oxford drama scene from the perspective of a budding playwright
“Student theatre at its finest”
Miriam Nemmaoui finds 'As You Like It' to be enchanting and captivating
“A piece of theatre that feels incredibly close and genuine”
Nina Crisp finds much to praise in 'I Know You', Sam Moore's postmodernist piece of new writing
“The play-text should never have been selected for performance”
Will Austin finds 'Five Women Wearing the Same Dress' to be outdated and hackneyed at the Michael Pilch Studio
“A tense and deeply disturbing piece”
Emily Lawford is left shaken by 'Orca', an award-winning drama about sacrifice and redemption
“Fun, thoroughly amusing and worth watching”
Freya Thorpe praises Ambriel Productions’ musical ensemble
A day in the life of… a lighting director
I came to Oxford with very little backstage experience. It’s really easy to get into the scene—TAFF (the University network of backstage crew) is...
“If you’d told me a year ago I would never have believed it”
Katie Sayer chats to Callum Cameron, the writer and star of They Built It, No One Came – coming to Oxford following a successful run at the Edinburgh Fringe and a sell-out week in London
An odd mix of Sophocles, Stoppard and Wilde
Katie Sayer gives four stars to Simon Callow's revival of a 1970s classic
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