Morpurgo intended the tale to be one of ‘reunion and reconciliation’, but Nick Stafford and the National Theatre have transformed it into an ‘anthem for peace’.
The Shakespeare’s Rose Theatre wants its audience to experience Shakespeare as intended – in the bard’s self-designed theatre. But is this immersive theatre experience more pop-art than pop-up? Arabella Vickers reviews.
What does it take to put on a show at Fringe? With the finish line in sight, Missing Cat discuss the joys and travails of their project: a raw and visceral rendition of Woyzeck.
The convention which now seems part-and-parcel of theatre wasn’t always there – indoor venues and developments in lighting provided new staging opportunities. But what is the theatrical blackout for?