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UrbanObserver
Thursday 3rd July 2025
Oxford's oldest independent student newspaper, est. 1920
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All That Fall review – ‘Powerful and perturbing, with something of the uncanny about it’
Sam Rice immerses himself in a stage adaptation of Beckett's radio play
Preview: ‘Lovesong’ – “one of the best pieces of student theatre this year”
John Livesey is blown away by a preview of the sold-out 'Lovesong'
Review: ‘Yellow’ – “sensitive and complex”
Zad El Bacha is highly impressed with 'Yellow', an adaptation of Charlotte Perkin Gilman's 'The Yellow Wallpaper', at the Pilch
Five Minutes With… Hugh Tappin
In our final interview of term, we chat to Hugh Tappin, of Nitrous Cow Productions
‘Volpone’ review – “Overdone accents but an otherwise fantastic production”
Amelia Coen enjoys Seeing Hand Production's witty Blackpool update of Johnson's satire
‘Volpone’ preview – “a very potent type of dramatic humour”
John Livesey is excited by 'Volpone', playing at the Keble O'Reilly in 7th week
‘God of Carnage’ preview – “a disgusting and disquieting play”
Jorge Lopez Llorente previews God of Carnage at the BT Studio
‘Retelling Tales’ preview – “I heard stories that got inside my body.”
Lucy Enderby is impressed by the originality and emotive power of ‘Retelling Tales’
Confessions of a Drama Queen 5: Things can only get better
Our drama queen's unparalleled potential is finally recognised
In conversation with Layo-Christina Akinlude
Katie Sayer talks Shakespeare and the pursuit of happiness with the star of 'As You Like It'
‘A Familiar Friend’ review: “a masterful intensity”
Shamika Tamhane highly recommends 'A Familiar Friend' at the Michael Pilch studio
Lady in the Sheets review – ‘powerful and horrible but comic for all the wrong reasons’
Amber Sidney-Woollett says 'Lady in The Sheets' should leave the laughs at the door and stick to emotional impact
The right production but the wrong play
The production is imaginative but the choice of play is inappropriate and bizarre, writes Susannah Goldsbrough
The Lieutenant of Inishmore review – ‘fast moving and extremely funny’
Whip-smart dialogue ensures this black comedy leaves its mark
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