“Charlie Fink is a genius, and ‘Cover My Tracks’ a triumph”
Katie Sayer is enraptured by Charlie Fink's modest yet outstanding new play 'Cover My Tracks'
“Intense and enjoyable to watch”
Nina Crisp enjoys an intense and enjoyable performance
“Exploring what it means to be an intelligent modern woman”
Sîan Bayley finds much to praise in 'Girls Will Be Girls' at the BT Studio
“The biggest student comedy event of the year”: Oxford Revue and Friends
Miriam Nemmaoui chats to Olly Jackson ahead of the Oxford Revue's hotly tipped performance
Does Oxford create a class of its own?
Eimer McAuley discusses class at Oxford and debunks the myth that we are all the same when we graduate
“A fascinating interpretation of Racine’s masterpiece”
Louisa Cotterhill is left stunned by 'Phèdre', a modern rendition of an ancient tragedy
“Precisely the kind of theatre I would like to see more of in Oxford”
Charles Britton is besotted with the potheads in 'Garden'
“Its clear, accessible acting makes intelligible a foreign tongue”
Martin Newman is captivated by the Oxford Italian Play, 'Mistero!'
“Pleasingly thoughtful and thought-provoking”
Natasha Burton previews 'Rewritten' at the Michael Pilch Studio
“It kept me hooked right until the final denouement”
Harry Hatwell applauds Playlliol's rendition of 'A View from the Bridge'
A day in the life of… a stage manager
Lucy Coupe gives her perspective on why stage managing is the perfect extra-curricular activity
“A marathon-style theatrical whirlwind”
Harry Hatwell is blown away by 'Angels in America' at the West End
“A fierce accomplishment”
Will Austin is absorbed in 'Reigen', a revival of Arthur Schnitzler’s controversial sexual drama
“Emotive, vibrant, and politically charged”: Hamilton
Izzy Smith praises Lin-Manuel Miranda’s powerful soundtrack
