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Video games: Design/Play/Disrupt

From the mid-2000s to now, video games have slowly revolutionised the ways in which we communicate within society. Our lives are enmeshed...

Jeff Koons: A world of Paradoxes

Pocketed in the Ashmolean is the world of paradox that is Jeff Koons’ exhibition. The first room introduces his work as we are...

The Scythians British Museum review – ‘a vivid and intriguing exhibition’

A vivid depiction of an ancient culture excites at the British Museum

Kabakov Tate Review- ‘an exercise in alternative perspectives’

Ilya and Emilia Kabakov's 'Not Everyone Will Be Taken into the Future' illustrates the horrors of the Soviet Union through a series of juxtaposing perceptions

Modigliani Tate review – ‘a delight to walk through’

Tate Modern's Modigliani show is tame, but beautiful

Those Who Follow review – “an appreciation of some too often...

Matthew Roberts explores the different faiths of modern Oxford, as presented in the exhibition Those Who Follow

Imagining the Divine review – engrossing and important

Lizzy Diggins is intrigued by the religious crossovers at the Ashmolean's new exhibition

Basquiat brought to life at the Barbican

Excessive detail hinders an energetic and ground-breaking Basquiat exhibition, writes Eleanor Birdsall-Smith

The queen of artistic appropriation is crowned at the Tate Modern

Nicola Dwornik reviews a long overdue exhibition of Fahrelnissa Zeid's life and work

The Russian Revolution was a kind of orgy

Altair Brandon-Salmon is thrilled by the British Library's exhibition marking the centenary of the Russian Revolution
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