Preview: It Felt Empty

Miriam Nemmaoui looks forward to a hard-hitting and sensitive production

University reviews policy on social events

The new advice tells staff not to "disregard the preferences of other cultures"

All wound up by a Clockwork Orange

It is always a challenge to adapt a novel’s narrative to the stage. Even more so, when the novel is a dystopia like A...

Troublingly telegenic: Oxford in film

Priya Khaira-Hanks takes issue with the extent of Oxford’s fictional presence.

Fiction: “You don’t seem to know anything”

Oliver Baldwin’s monologue explores the day to day terror of making ‘a fresh start’

A world in one sentence

Priya Khaira-Hanks rediscovers the startling impact of opening lines in children’s fiction

Book review: The University of Oxford, a History

Ben Ray digs into this herculean history of the university, undertaken by Magdalen's own Professor Brockliss

Pokémon Go or Pokémon No? A debate

Is Pokemon Go redeeming society, or destroying it? Is it to be our salvation, or is this the end of days?

Film and TV: A summer preview

Ellie Siora looks to offset the post-term blues through film and TV

The revolution will be live-streamed

Daniel Curtis explores the narrative merits of video games

Poetry: Tpyomaniac [sic]

Fronk Davey's sonnet examines the perils of typos.

Cinema’s Resurrection?

Ellie Siora on how innovative screenings must challenge ‘passive’ binge-watch culture, after attending an all-night Wes Anderson marathon

Rewind: Orwell’s 1984

Daniel Curtis reflects on the 1949 publication of George Orwell’s 1984

The full blankness of space

Emmanuelle Soffe discusses the misconceptions of modern art galleries and the White Cube effect

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