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Keep Off The Grass
John Evelyn
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Keep Off The Grass
John Evelyn
A defence of students’ reliance on AI (and how...
Price of a pint in Oxford rose by over...
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Review: Endgame – ‘Nothing is funnier than unhappiness’
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Oxford's oldest student newspaper
Independent since 1920
News
Comment
Features
Sport
Profiles
Life
Food
Culture
Books
Art
Culture
Music
Film
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Fashion
The Source (Creative Writing)
Puzzles
Print Editions
More
Cartoon
Keep Off The Grass
John Evelyn
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music
oxford
Featured
review
culture
Oxford University
music
theatre
politics
stage
Music without Borders: Welsh national music
Theo Davies-Lewis explores the importance of music to his homeland
“Guitar legends of the Sahara”
Ellen Peirson-Hagger finds a refreshing new perspective in Tinariwen's concert at the O2 Academy
Taking up Tupac’s “thug poet” mantle
'You Only Live 2wice' is Freddie Gibbs living up to his predecessors, says Jonathan Egid
The humble notes that hold great meaning
Katherine Wood explores the past and present of Russian bard music
The comeback kids keep ‘lad rock’ alive
Kasabian's 'For Crying Out Loud' is the Leicester band at their best, says Matt Roller
Music without Borders
Prateek Alkesh sings the praises of sufi music in Bollywood
Ageing under the spotlight
Sophie Burdge condemns ageism in pop culture and our generation's obsession with beauty
“A captivating, quasi-religious experience”
Clara Dijkstra reviews the new London Grammar single, 'Truth is a Beautiful Thing'
12-year-old named as youngest Oxford organist in history
Oxfordshire schoolboy Louis Moss will play hymns for Jesus College chapel services from this Spring
Friendship, Feminism and Fun(damental Rights)
India Parker talks to Jess Bollands, the President of the Oxford Belles, about the enormous success of their latest music video
The Shins – Heartworms review
Akshay Bilolikar finds a confident and valedictory wisdom in the Shins' fifth effort
Spotlight: DFO
Will Cowie on those three magic letters
Spotlight: Emily the Snake
Emily the Snake are a funky outfit full of potential, says Will Cowie
A night for dancing and jumping
Daniel Curtis is left reeling from White Lies’ unpolished yet momentous performance at Oxford’s O2 Academy
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