9pm, The Bullingdon, a Tuesday evening. Those three ingredients are pretty much guaranteed either to produce an awful or a brilliant night. Thankfully for...
At a first glance, Reinvention ‘The Treasures of Recycled Sculpture’ was a breath of fresh air from the chaos of fast-fashion, pollution and upheaval. It demonstrated the possibilities of recycling and sustainability in the production of works of art.
The tour began at the Carfax tower with tales of the town-gown divide in the early days of Oxford University. A third year undergraduate led the group of students and tourists around the town centre.
It’s hard not to get fomo when watching the videos of the viewers jumping back from the vivid bursts of fire, smoke and colour as Cai joyfully watches on like a child with a big box of fireworks. However, one piece in particular made me rethink how displaying Cai’s practice in an exhibition space offers what the explosive performance can’t.
The first wall of this Weston Library exhibition focuses on Oxford, offering the visitor visions of Oxfords which could have been and those which remain in the past.
The exhibition highlights coffee’s sociable origins embedded within a culture of meeting to talk and read. Although sadly underplayed, the most insightful element of the display is the recognition of the culture clash.
Ai Weiwei’s 'Roots' exhibition at the Lisson Gallery in London may seem rather abstract upon first glance yet it provokes reflection on a range of issues from the 'uprootedness' of the refugee crisis to government corruption and civil disobedience.
Acting from a very young age has never been a rare thing in the show business, but very few child stars were introduced to the film industry by being chucked out of a window on their first day on set.