Tag: review

Since the initial departure of its peerless founder and namesake in 2000, Jil Sander has spent much of the last two decades wrangling with its sense...

Find Me is the October 2019 sequel to André Aciman’s 2007 novel Call Me By Your Name, which was popularised by the success of its 2017 movie adaptation. As a much anticipated...

It would be hard to think of another set of myths that are so present in contemporary culture as those surrounding the fall of Troy and its aftermath, immortalised most notably by Homer and Virgil. Stories such as the judgment of Paris, which sets the war in motion, the deception of the ‘Trojan Horse’ and Odysseus’ encounter with the Cyclops during his decade-long journey home are many people’s first introduction to the classical past as children, and the past few years have seen a resurgence of the Trojan cycle in popular culture. Novels such as Madeline Miller’s The Song of Achilles and Pat Barker’s The Silence of the Girls have reconsidered the war and its characters from different angles, and the BBC’s Troy: Fall of a City adaptation brought the saga to a generation raised on Game of Thrones. Therefore, the British Museum chose an opportune time for this year’s BP exhibition, Troy: myth and reality, which aims ambitiously to exhibit artistic depictions of the well-known myths and their various post-classical reinterpretations alongside the archaeological evidence that Troy and the war actually existed.

The Royal Academy’s current exhibition, Lucian Freud: The Self-portraits, is a bold and singular response to this century’s fascination with self-image. Lucian Freud’s artistic career predates the selfie-saturated 2010s, yet his work captures the obsession and volume with which we display ourselves today.

I might still be coming to terms with the fact that I don’t lead a life involving the regular and copious consumption of champagne...

Immediately upon arrival, it’s clear that The Ivy is ‘running the game’ when it comes to Oxford’s fine dining scene. It’s 6:30 PM on a...

Why all new music lovers should be listening to Leon C

9pm, The Bullingdon, a Tuesday evening. Those three ingredients are pretty much guaranteed either to produce an awful or a brilliant night. Thankfully for...

At a first glance, Reinvention ‘The Treasures of Recycled Sculpture’ was a breath of fresh air from the chaos of fast-fashion, pollution and upheaval. It demonstrated the possibilities of recycling and sustainability in the production of works of art.

The tour began at the Carfax tower with tales of the town-gown divide in the early days of Oxford University. A third year undergraduate led the group of students and tourists around the town centre.

It’s hard not to get fomo when watching the videos of the viewers jumping back from the vivid bursts of fire, smoke and colour as Cai joyfully watches on like a child with a big box of fireworks. However, one piece in particular made me rethink how displaying Cai’s practice in an exhibition space offers what the explosive performance can’t.

The first wall of this Weston Library exhibition focuses on Oxford, offering the visitor visions of Oxfords which could have been and those which remain in the past.

The exhibition highlights coffee’s sociable origins embedded within a culture of meeting to talk and read. Although sadly underplayed, the most insightful element of the display is the recognition of the culture clash.

Ai Weiwei’s 'Roots' exhibition at the Lisson Gallery in London may seem rather abstract upon first glance yet it provokes reflection on a range of issues from the 'uprootedness' of the refugee crisis to government corruption and civil disobedience.