Monday, June 17, 2019
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The power of silence: the art of Marina Abramović

Much of Abramović's work uses silence and ritualization to suspend all meaning of time

Oxford International Art Fair Review – Open to all

Oxford international arts fair offers a accessible approach to curation for better or worse

The changing face of the Virgin

Chris Ofili's new depiction of the Virgin Mary is shocking and enticing in equal measure

Kabakov Tate Review- ‘an exercise in alternative perspectives’

Ilya and Emilia Kabakov's 'Not Everyone Will Be Taken into the Future' illustrates the horrors of the Soviet Union through a series of juxtaposing perceptions

A woman weaving herself into history

Hypnotising acidic colours scream out for Anoushka Kavanagh’s attention

Imagining the Divine review – engrossing and important

Lizzy Diggins is intrigued by the religious crossovers at the Ashmolean's new exhibition

A perfectly preserved corner of London speaks to modern Britain

Susie Finlay discovers the delights of still-life drama

Pastel pink speculums, embroidered condoms, and art for reproductive freedom

Anoushka Kavanagh explains why protest art is now more important than ever

Holidays: Cherwell Visuals competition

Whether you spent the vac away or at home, send your holiday art to cherwellvisual@gmail.com for a chance to see it in print

Windy colours

Emma Leech recalls her encounter with Henry the homeless artist and his unexpected colour palette
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