The power of silence: the art of Marina Abramović
Much of Abramović's work uses silence and ritualization to suspend all meaning of time
Oxford International Art Fair Review – Open to all
Oxford international arts fair offers a accessible approach to curation for better or worse
The changing face of the Virgin
Chris Ofili's new depiction of the Virgin Mary is shocking and enticing in equal measure
Kabakov Tate Review- ‘an exercise in alternative perspectives’
Ilya and Emilia Kabakov's 'Not Everyone Will Be Taken into the Future' illustrates the horrors of the Soviet Union through a series of juxtaposing perceptions
A woman weaving herself into history
Hypnotising acidic colours scream out for Anoushka Kavanagh’s attention
Imagining the Divine review – engrossing and important
Lizzy Diggins is intrigued by the religious crossovers at the Ashmolean's new exhibition
A perfectly preserved corner of London speaks to modern Britain
Susie Finlay discovers the delights of still-life drama
Pastel pink speculums, embroidered condoms, and art for reproductive freedom
Anoushka Kavanagh explains why protest art is now more important than ever
Holidays: Cherwell Visuals competition
Whether you spent the vac away or at home, send your holiday art to [email protected] for a chance to see it in print
Windy colours
Emma Leech recalls her encounter with Henry the homeless artist and his unexpected colour palette
Nativity in art: El Greco, La Tour and Spitzweg
Ewan Davis explores the depiction of the Nativity in 16th, 17th and 19th century art
