"Miss Moffat plucks Morgan Evans out of the mines, trains him to speak like a gentleman, and stuffs his head with Adam Smith and Voltaire. It’s like My Fair Lady, but gender-swapped and very, very Welsh."
Everybody better beware: Little Shop of Horrors has arrived in Oxford.
The wacky musical tells the story of a meek florist, Seymour Krelborn, who finds...
"The production harnesses its idyllic, summery setting to explore the [...] ideals of love and courtship in a world dominated by gendered notions of how honour is achieved, and the use of deception as a means to an end."
"The popularity of Derry Girls [demonstrates] that shows like this, with a good balance of witty humour and colourful characters, family dynamics and psychological insights, are the perfect blend to watch."
"Conflict in God of Carnage is created through two groups of parents‘ apparent desire to resolve a falling-out between their children. Alain and Annette’s child has hit and broken two teeth of Véronique and Michelle’s child. However, despite initial mature airs, the adults soon lose any sense of moderation, and themselves turn into quarrelling children. This play is therefore an intimate descent into savagery."
"[...] it is these painfully truthful human relationships that elevate it from an evocatively written commentary on medical ethics to a truly perceptive piece of art."
"Lost Connection, as a production, effectively memorialises the issues and troubles that lockdown caused all of us, whether in the world of performance or not."
