"Plastic Beach serves as a poetic, wonderfully produced and musically brilliant reminder that the world is slowly ending, everything is artificial and no one seems to be doing very much about it at all."
There’s been a recent uptick in global awareness of the history of Northern Ireland. We can trace it back, roughly, to 2018. That’s when Lisa McGee’s hit TV series Derry Girls, which chronicles the tribulations of growing up in Derry during the Troubles, arrived on screens worldwide; and just like that, Northern Ireland became the object of cultural fascination.
Everybody better beware: Little Shop of Horrors has arrived in Oxford.
The wacky musical tells the story of a meek florist, Seymour Krelborn, who finds...
"The production harnesses its idyllic, summery setting to explore the [...] ideals of love and courtship in a world dominated by gendered notions of how honour is achieved, and the use of deception as a means to an end."
If Thomas Hardy had blessed his female characters with more than an “ephemeral precious essence of youth,” perhaps he would have produced something along the lines of Dorothy McDowell’s Casterbridge, an adaptation of Hardy’s 1886 novel The Mayor of Casterbridge.
"This was the second of three successive sold-out nights for the four-piece at the London venue, and it proved one for us and the remaining five thousand people in attendance to remember."
"This uncomplicated plot provides Worth with rich opportunities for philosophical musings, with ideas explored in the piece ranging from the abrupt to the more profound."