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Keep Off The Grass
John Evelyn
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Keep Off The Grass
John Evelyn
Brasenose hosts talk by suspended spokesman for the Israeli...
Review: Endgame – ‘Nothing is funnier than unhappiness’
A literary map of Oxford
Should we judge a book by its cover?
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Oxford's oldest student newspaper
Independent since 1920
News
Comment
Features
Sport
Profiles
Life
Food
Culture
Books
Art
Culture
Music
Film
Stage
Fashion
The Source (Creative Writing)
Puzzles
Print Editions
More
Cartoon
Keep Off The Grass
John Evelyn
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stage
oxford
Featured
review
culture
Oxford University
music
theatre
politics
stage
Dining al Desko Preview – ‘a tale of high treachery and highlighters’
An acutely observed examination of inane office politics, despair, and social media
Hereafter preview – ‘an ostensible exploration of future technology that shines a light inwards, rather than forwards’
A fresh, emotional take on the future
Medea Review – ‘vengeful, manipulative, and captivating’
More than just a play: 'Medea' reminds us why we go to the theatre
Butt Kapinski Review – ‘a masterclass in light-hearted entertainment and audience participation’
Charles Britton is both amazed and horrified by Deanna Fleysher's oddball creation
OCTOPUS – Review
Is OCTOPUS, like the Sex Pistols are now, “just” uncontroversial protest? Or does it strike deeper than that?
‘She is the one controlling the play’- Rufus Norris’ Macbeth
Norris’ production is a moving theatrical piece that allows Lady Macbeth to be the puppeteer she has so desperately always wanted to be.
RSC Macbeth Review: ‘technical wizardry fails to bring any tension or magic’
Dodgy directoral decisions and acting leaves one foreseeing a dark future for this unconvincing RSC production
The Ferryman Review – ‘bursting with intergenerational energy and tragic potency’
Jez Butterworth and Sam Mendes' present a tale of a family riven by personal loss and political upheaval
The Great Wave Review – ‘a complete clash of cultures, identities, and outlooks’
Indhu Rubasingham's revealing production about a dark part of Japanese cultural history is relevant and immensely human
I Slept In These Clothes review – ‘comics to look out for’
Fenella Sentance is thoroughly entertained by the dynamic of Verity Babbs and Chloe Jacob's comedy duo
A Review of Reviewing: of Source-Texts and Slighting
Charles Britton ponders the relationship between a borrowed script and an adapted performance in theatre criticism
13 Review – ‘effectively and enjoyably portrays Bartlett’s broken Britain’
Bertie Harrison-Broninski is impressed by the ambition and scope of this drama of political intrigue and belief
Summer and Smoke Review – ‘re-staged inventively, but unpretentiously’
Rebecca Frecknall's musical re-imagining of William's play at the Almeida is dazzling
The Crocodile review – ‘a carefully considered yet hilariously nuts production’
Cesca Echlin is left in fits after a performance of Dostoyevsky's short story
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