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UrbanObserver
Thursday 3rd July 2025
Oxford's oldest independent student newspaper, est. 1920
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Review: The Entertainer
"Stage Wrong’s performance draws us into the dysfunctional, haunted world of the Rice family and insightfully pulls apart their fractures." Alice Williams reviews The Entertainer at Keble O'Reilly.
What does it take to be an actor?
Want to be a fantastic actor? All it takes is method acting, audience empathy and a pursuit of the fantasy world.
Review: Antony and Cleopatra – a star-studded Shakespeare
Lawrence Li is impressed by the National Theatre’s opulent imagining of a Shakespearean classic
Silent Night Review – ‘a story very relevant to our time’
The multilingual reimagining of the Christmas Truce at Leeds Town Hall feels particularly timely
“After three hours in an Omniplex I am, at least, still alive” – livestreaming from theatre to cinema
Dorothy McDowell sees potential in livestreaming theatre, but it still fails to reach a mainstream audience
Dining al Desko Preview – ‘a tale of high treachery and highlighters’
An acutely observed examination of inane office politics, despair, and social media
Hereafter preview – ‘an ostensible exploration of future technology that shines a light inwards, rather than forwards’
A fresh, emotional take on the future
Medea Review – ‘vengeful, manipulative, and captivating’
More than just a play: 'Medea' reminds us why we go to the theatre
Butt Kapinski Review – ‘a masterclass in light-hearted entertainment and audience participation’
Charles Britton is both amazed and horrified by Deanna Fleysher's oddball creation
OCTOPUS – Review
Is OCTOPUS, like the Sex Pistols are now, “just” uncontroversial protest? Or does it strike deeper than that?
‘She is the one controlling the play’- Rufus Norris’ Macbeth
Norris’ production is a moving theatrical piece that allows Lady Macbeth to be the puppeteer she has so desperately always wanted to be.
RSC Macbeth Review: ‘technical wizardry fails to bring any tension or magic’
Dodgy directoral decisions and acting leaves one foreseeing a dark future for this unconvincing RSC production
The Ferryman Review – ‘bursting with intergenerational energy and tragic potency’
Jez Butterworth and Sam Mendes' present a tale of a family riven by personal loss and political upheaval
The Great Wave Review – ‘a complete clash of cultures, identities, and outlooks’
Indhu Rubasingham's revealing production about a dark part of Japanese cultural history is relevant and immensely human
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