Tag: theatre

There’s been a recent uptick in global awareness of the history of Northern Ireland. We can trace it back, roughly, to 2018. That’s when Lisa McGee’s hit TV series Derry Girls, which chronicles the tribulations of growing up in Derry during the Troubles, arrived on screens worldwide; and just like that, Northern Ireland became the object of cultural fascination.

May McEvoy reviews Somerville College Drama Society and Sunday Productions' Twelfth Night.

Everybody better beware: Little Shop of Horrors has arrived in Oxford.  The wacky musical tells the story of a meek florist, Seymour Krelborn, who finds...

"The production harnesses its idyllic, summery setting to explore the [...] ideals of love and courtship in a world dominated by gendered notions of how honour is achieved, and the use of deception as a means to an end."

"The popularity of Derry Girls [demonstrates] that shows like this, with a good balance of witty humour and colourful characters, family dynamics and psychological insights, are the perfect blend to watch."

"[...] they descend into paranoia, and carnage unfolds in a network of marvellously-layered backstabbing."

Season Two of Bridgerton has given me a newfound desire to grab life by the mallet, so this term I have decided to sign up for Croquet Cuppers.

"Against the backdrop of Majek’s enigmatic blue-toned figures, Spencer, with the help of a multi-roling, all-Black voice cast playing a broad spectrum of characters, reveals tantalising glimpses of these figures’ lives."

"It’s a bit of a mad play, and a lot of quite mad things happen, because that’s what happens when you translate Victorian characters into the modern era."

"Those who aren’t so familiar with the plots of the major operas, or who wish to immerse themselves in the romance, revenge and occasional comedy so characteristic of the genre, needn’t worry that Opera Scenes isn’t staging a full production."

"It digs into some of the most important things we have to face in our lives. Sexuality, family, the education system, the way we judge others and ourselves."

"I think to write a play you’ve got to be constantly re-inspired. It requires so many exchanges between characters and demands inhabiting so many different psyches."

What makes tick, tick… BOOM! so important to me is its central idea of running out of time. Jonathan Larson had a deep-set panic that he only had so long to achieve his goals, to reach his markers of success.

"Can we ever justify ticket prices of more than £200 given the theatrical experience involved – or are we just making theatre expensive and inaccessible?"